■ موزه ملی چین بخش معماری

منبع : یانون

کی فکر می کنه در این وانفسای طرح های محیرالعقول چینی ها این طور وفادار باشن به سنت‌هاشون در معماری!
به نظر همین استغنای نیم‌بند شرقی هم هست که تا امروز کمک کرده قطبی بمونن برای خودشون؛ البته در کنار جمعیت زیاد و سرمایه‌های عظیم انسانی و نیروی کار و اقلیم بزرگ و …..

© Christian Gahl

Architects: gmp architekten
Location: Beijing, China
Design team: Gregor Hoheisel, Katrin Kanus, Ralf Sieber, Du Peng, Chun-song Dong
Project leaders: Matthias Wiegelmann mit Patrick Pfleiderer
Project team: Bao Wei, Johanna Enzinger, Anna Bulanda, Kong Jing, An-dreas Goetze, Guo Fuhui, Mulyanto, Chen Yue, Zheng Xin, Gao Hua, Xing Jiuzhou, Helga Reimund, Tobias Keyl, Christian Dorndorf, Anette Loeber, Ve-rena Fischbach, Jiang LinLin, Liu Yan, Mehrafarin Ruzbehi, Yoko Uraji, Lu Han, Xia Lin, Tian Jinghai, Uli Bachmann, Ajda Guelbahar, Iris Belle, Sabine Stage
Client: The National Museum of China
Project area: 195,000 sqm
Project year: 2005 – 2011
Photographs: Christian Gahl, Ben McMillan, gmp

© Christian Gahl

The reconstruction and extension of the National Museum of China in Beijing merges the former Chinese History Museum and Chinese Revolutionary Mu-seum. Originally completed in 1959 as one of ten major public buildings in Tiananmen Square in the immediate vicinity of the Forbidden City, the struc-ture is still a milestone in modern Chinese architectural history. Elements of Chinese architectural tradition blend with a western, neoclassical architectural idiom.

elevation 01

Eleven international architectural firms were invited to take part in the competi-tion for the reconstruction and extension of this building, which was won by architects von Gerkan, Marg and Partners in association with CABR, Beijing. In October 2004, gmp and CABR were commissioned to do the job, ahead of a field that included Foster and Partners, Kohn Peddersen Fox, OMA and Her-zog & de Meuron.

© Christian Gahl

After prolonged discussions with the client, the design scheme was revised in order to attune the new museum building harmoniously to the external look of the old building, while ensuring old and new were nonetheless distinguishable from each other. The echeloned roof typologies of the buildings in Tiananmen Square and the Forbidden City were thus echoed in the new building, though differentiated in detail and material.

© Ben McMillan

In the same way, the colonnades and window styles typical of the existing building were translated into a contemporary formal idiom. The final scheme was finally confirmed in 2006, and was under construction since 2007. The reconstruction of the northern existing building was completed in summer 2009, and the completion of the whole scheme was in Spring 2011.

© Ben McMillan

The 191,900 m² National Museum is the largest museum in the world, its purpose being to act as a showcase for the history and art of one of the oldest cultures of mankind.